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BABYQUEEN AI Idol Pregnancy Controversy: Creators Admit Mity’s Maternity Leave Story Was Fake

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Four AI-generated members of Chinese virtual girl group BABYQUEEN posing closely together

A fictional pregnancy announcement has turned Chinese AI girl group BABYQUEEN into an unexpected social-media talking point, with questions emerging about how far virtual idols should go in imitating real human experiences. What initially looked like a conventional entertainment-industry update soon became a controversy involving millions of views, criticism of the creators’ storytelling choices and questions about the line between fictional characters and believable digital personalities.

The project had been building its presence online since September 2026, using the familiar K-pop idol format to introduce AI-generated performers. But when one member, Mity, was announced to be taking time away because of pregnancy, the storyline attracted attention far beyond the group’s original audience.

BABYQUEEN’s Mity Pregnancy Announcement Sparks Backlash

The controversy began in October 2026, when the account associated with BABYQUEEN announced that Mity would temporarily suspend her group and individual activities because she was supposedly pregnant.

The announcement followed the style of a traditional entertainment-company notice. It explained that Mity would step away to focus on her health and prepare for childbirth. Followers were also asked to respect her privacy and avoid excessive speculation about her personal life.

A subsequent post written from Mity’s perspective reinforced the storyline, presenting the pregnancy as a personal development and explaining that she would temporarily leave the group to rest.

There was one significant difference between this announcement and those involving conventional music idols: Mity is an AI-generated virtual character, not a human singer or performer.

BABYQUEEN’s members were created as fictional digital personalities, with their identities and public narratives managed by the people behind the project. The pregnancy announcement therefore raised immediate questions about the boundaries between fictional storytelling and presenting virtual performers as though they have human lives.

Some reactions focused on the basic premise of an AI-generated character being described as pregnant. Others criticised the creators for using pregnancy and childbirth to explain a lineup change, arguing that a sensitive real-world experience was being turned into entertainment without appropriate consideration.

Virtual Idols Beyond BABYQUEEN
AI-generated characters and K-pop-style performers are increasingly being used in projects that blur the line between entertainment and marketing. Compare BABYQUEEN’s fictional idol storyline with LG’s AI-DOL K-pop marketing group, a real-performer project created to promote a washing machine.

How BABYQUEEN’s AI Idol Story Reached Millions of Views

The announcement attracted substantially more attention than BABYQUEEN had typically received, quickly spreading beyond the project’s existing audience.

According to the South China Morning Post (SCMP), the discussion had surpassed 78 million views on Weibo by October 20, 2026. Earlier reporting from Sixth Tone documented substantially lower figures while the story was still developing, illustrating how rapidly the controversy expanded over several days.

SCMP described BABYQUEEN at that point as a four-member AI girl group managed in Liaoning province, northeastern China. Earlier reports had described the project as a five-member group before Mity’s announced departure.

The difference in reported membership reflected the change in the group’s lineup following the announcement.

BABYQUEEN’s relatively small original following made the sudden surge in attention particularly notable. Sixth Tone reported that the group’s Xiaohongshu account had around 1,000 followers when its coverage was published. Later local coverage reported a substantially larger following as the controversy continued circulating.

The figures reflect how the story moved beyond BABYQUEEN’s established audience and onto wider Chinese social-media platforms.

BABYQUEEN Creators Admit Mity’s Pregnancy Was Fictional

The controversy took a different turn when the people behind BABYQUEEN explained why Mity had supposedly left the group.

The creators acknowledged that the pregnancy was not a genuine development within the project. Instead, it was a fictional storyline intended to remove Mity from the active lineup.

Their explanation was that managing several AI personalities had become difficult, and they wanted to reduce the workload associated with the project. They subsequently acknowledged that choosing pregnancy as the explanation for Mity’s departure was inappropriate.

In a statement that was later deleted, the creators described themselves as “a few girls who like K-Pop” and said they were still students. Sixth Tone reported that they also said they had not made money from the project.

A separate account of their explanation quoted a creator saying:

“As I am unable to manage all these AI characters by myself, I thought of removing some of them.”

The creator then acknowledged that using pregnancy as the reason for Mity’s departure was inappropriate.

The clarification is central to understanding the incident. Mity’s pregnancy should not be reported as an actual event involving a performer. She is a fictional AI character, and the people operating BABYQUEEN later confirmed that the storyline had been invented to explain her departure.

Why the Creators Started the BABYQUEEN AI Girl Group

The creators also offered context about the project’s origins and their reasons for developing virtual performers.

According to explanations reported by Sixth Tone and Chinese media outlets, BABYQUEEN was created by several young women who enjoyed K-pop and wanted to experiment with AI-generated performers for entertainment.

They said they had not initially expected the project to attract such widespread attention. The creators also explained that they had not had opportunities to perform onstage themselves, which contributed to their decision to experiment with virtual characters.

Their account presented BABYQUEEN as a hobby rather than an established commercial entertainment operation. They said they had not earned money from the project.

This context helps explain why the creators described workload management as a reason for Mity’s departure. Their own explanation was that handling several AI personalities had become difficult and that they wanted to reduce the number of characters they were managing.

That does not eliminate the criticism surrounding their choice of storyline, but it distinguishes the creators’ stated reason from claims that the incident was necessarily part of a carefully planned commercial campaign.

Did BABYQUEEN Use the Pregnancy Announcement to Promote New Music?

The timing of the group’s promotional activity added another layer to the controversy.

A teaser for a new song featuring the remaining members appeared shortly after Mity’s supposed pregnancy announcement. Sixth Tone reported that the teaser was released on the same day as the announcement, while other coverage also noted the close timing between the pregnancy-related posts and the group’s music promotion.

Some social-media users consequently accused the creators of deliberately using the pregnancy storyline as a publicity device.

However, that interpretation has not been established as fact. The creators later explained that the storyline had been created because they wanted to remove Mity from the project and reduce the workload associated with managing multiple AI characters.

The available reporting does not establish that the creators deliberately engineered the entire incident as a calculated marketing campaign.

SCMP also reported that BABYQUEEN released a cover video of aespa’s “Next Level” on October 14, shortly after the controversy began. The group’s continuing promotional activity contributed to the attention surrounding the project, but the timing alone does not prove that the pregnancy storyline was designed as a publicity strategy.

BABYQUEEN Creators Report Online Harassment After the Backlash

The response to the announcement extended beyond criticism of the fictional storyline.

The creators said they experienced sustained online harassment after the controversy became a major topic on Chinese social media. Chinese reporting said they described receiving personal attacks and body-shaming, and also reported that members of their families had been harassed.

One creator appealed to users to stop the abuse, emphasising that the project had not generated income for them.

Chinese media quoted the creator saying:

“I haven’t earned a penny. This was just for entertainment.”

The harassment claims are separate from the criticism of the pregnancy storyline itself. The creators acknowledged that using the fictional pregnancy explanation was inappropriate, while also asking people not to direct personal attacks at those behind the project.

The distinction matters: criticism of a creative decision and harassment of the people responsible for it are different issues.

Could Mity Return to BABYQUEEN in Another Role?

Mity’s announced departure did not necessarily mean that the character would disappear permanently.

According to Sixth Tone, BABYPVSSY Entertainment suggested that Mity could potentially return in another capacity. Possibilities discussed included acting or becoming a creator focused on maternity and infant-related content.

This means the initial announcement of a temporary break should not automatically be interpreted as confirmation of a permanent retirement.

However, the possibility of a future role does not change the central fact behind the controversy. Mity is a fictional AI character, and the creators explicitly explained that the pregnancy storyline had been invented.

The significant development is therefore the admission about how the character was written out of the active group, rather than any supposed real-world event involving Mity.

BABYQUEEN Was Still in Its Pre-Debut Phase

Another important detail is that BABYQUEEN had not established itself as a conventional performing K-pop group.

Local Chinese coverage described the project as being in a promotional or pre-debut stage, with its debut advertised as “coming soon.” The group operated primarily through social-media accounts and AI-generated content rather than through a traditional roster of human performers appearing onstage.

That distinction provides important context for understanding the controversy. BABYQUEEN was a virtual entertainment project using the conventions of an idol group, not a conventional K-pop agency announcing an actual artist’s pregnancy.

Nevertheless, the creators presented Mity’s supposed pregnancy using familiar entertainment-industry language. The announcement included a formal notice, a personal statement from the character and references to her health, privacy and future return.

That presentation was one reason the story attracted attention beyond people already familiar with AI-generated performers.

What the Mity Pregnancy Controversy Reveals About AI Idols

BABYQUEEN’s experience highlights questions about how AI-generated musicians and virtual performers are presented to audiences.

Such characters can be given names, appearances, personalities, fictional histories and social-media accounts. Their creators can then develop ongoing narratives that allow audiences to interact with them in ways resembling the fandom surrounding human artists.

The approach can become more complicated when fictional characters are assigned deeply personal human experiences.

Pregnancy is a real experience with significant physical, emotional and social implications for those who experience it. In BABYQUEEN’s case, the creators used it as a fictional explanation for a character’s absence and later acknowledged that the choice was inappropriate.

The incident raises questions about where creators should draw boundaries when constructing realistic identities for virtual performers. The issue extends beyond whether an AI character can logically be described as experiencing a human event. It also concerns how real-world experiences are represented when used as storytelling devices for digital personalities.

The backlash illustrates the potential consequences of blurring the distinction between a fictional character’s narrative and the way sensitive real-life experiences are understood by audiences.

Conclusion: BABYQUEEN’s Fictional Pregnancy Story Becomes a Wider AI Idol Debate

BABYQUEEN’s Mity controversy began with an announcement that appeared to describe a personal milestone for a virtual idol. It developed into a wider debate after the creators acknowledged that the pregnancy was fictional and had been used to remove the character from the active lineup because managing multiple AI personalities had become difficult.

The story attracted more than 78 million views on Weibo by October 20, according to SCMP, while the creators said they faced online harassment and asked users to stop directing personal attacks at them and their families.

Although some users questioned whether the announcement was intended to promote the group’s music, the available reporting does not establish that it was a deliberately engineered marketing campaign. Mity may also have a future in another role within the project, although no definitive permanent return has been established.

Ultimately, the controversy centres on a fictional pregnancy storyline, the creators’ admission that their choice was inappropriate and the wider questions surrounding how virtual idols imitate human lives. Mity’s pregnancy was invented as part of BABYQUEEN’s fictional narrative; it was not a real pregnancy involving a human performer.

Source Disclaimer

This article has been prepared based on thorough research of the sources provided below. It reflects the information, statements and reporting available from those sources at the time of writing and does not imply independent verification beyond what the cited material supports. Social-media posts and the status of the BABYQUEEN project may change as the creators update, remove or add content.

Sources

Featured Image Credit: BABYPVSSY Entertainment / BABYQUEEN

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